We only really had one prop which was the set of files containing pictures on the murder victim and the two detectives assigned to the task. This was made from two folders of subject work at school, and are the only real props obviously seen, we do not use a knife or any other typical thriller conventions in our opening.
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Thursday, 8 December 2011
Our thriller props
We only really had one prop which was the set of files containing pictures on the murder victim and the two detectives assigned to the task. This was made from two folders of subject work at school, and are the only real props obviously seen, we do not use a knife or any other typical thriller conventions in our opening.
Narrative Script
Phone Call
Hayley (police): Hello, British Police department, how may I help you?
Jack (the killer): I did it again, bet you can't find me..
*Jack hangs up leaving the beeps..*
Detectives
D1: Who was she?
D2: Don't you remember?
*Pause and hands D1 the file*
D2: Laura Robinson, three suicide attempts last month
D1 : I doubt that was the case here though
*Passes file back to D1*
D2: What are we working with?
*D1 holds up bag with the girls phone in*
D1: The murder took place around 4, due to a message she received on her phone
D2: Which would explain why she was out here alone
*D1 and D2 look at each other*
D1: Do you think it was him?
*D1 hands file to D2*
D2: It looks like his work
*D2 hand file back to D1*
Hayley (police): Hello, British Police department, how may I help you?
Jack (the killer): I did it again, bet you can't find me..
*Jack hangs up leaving the beeps..*
Detectives
D1: Who was she?
D2: Don't you remember?
*Pause and hands D1 the file*
D2: Laura Robinson, three suicide attempts last month
D1 : I doubt that was the case here though
*Passes file back to D1*
D2: What are we working with?
*D1 holds up bag with the girls phone in*
D1: The murder took place around 4, due to a message she received on her phone
D2: Which would explain why she was out here alone
*D1 and D2 look at each other*
D1: Do you think it was him?
*D1 hands file to D2*
D2: It looks like his work
*D2 hand file back to D1*
Our thriller shooting script
1. Black screen - phone call taking place
2. Mid shot of the detectives looking over the dead girls body
3 Close up of a file opening - over the shoulder shot
(at the this point the credits will be shown with pictures of the character)
4. Extreme close up of the girls phone - receiving a text message 'You're dumped'
5. Pan shot of the girl walking round the corner
6. Mid shot of the girl walking passed the building
7. Close up of the girls phone in a bag
(detectives speech 'what are we working with here?'
8. Mid shot of the girl walking down the path
(the camera zooms into the girl so she's centre of the screen)
9. Mid shot of the masked man grabbing the girl
(girl screams and gets pulled to the ground)
10. Close up of more files as Detective Freebury hands Detective Coley the file
(shows their pictures for then more credits to fit in) - another over the shoulder shot
11. Close up of the girls reaction
(the masked mans POV shot)
12. Close up of the masked man coming towards the girl
(the girls POV shot)
13. Ends as a black screen.
2. Mid shot of the detectives looking over the dead girls body
3 Close up of a file opening - over the shoulder shot
(at the this point the credits will be shown with pictures of the character)
4. Extreme close up of the girls phone - receiving a text message 'You're dumped'
5. Pan shot of the girl walking round the corner
6. Mid shot of the girl walking passed the building
7. Close up of the girls phone in a bag
(detectives speech 'what are we working with here?'
8. Mid shot of the girl walking down the path
(the camera zooms into the girl so she's centre of the screen)
9. Mid shot of the masked man grabbing the girl
(girl screams and gets pulled to the ground)
10. Close up of more files as Detective Freebury hands Detective Coley the file
(shows their pictures for then more credits to fit in) - another over the shoulder shot
11. Close up of the girls reaction
(the masked mans POV shot)
12. Close up of the masked man coming towards the girl
(the girls POV shot)
13. Ends as a black screen.
This shooting script is how it will take place, we are planning to have flashbacks from the next day of the murder to the night of the murder, one after the other, this is how we are planning to map it out, so there is an even amount of one and then the other. This is our plan of the shots we are going to use for every part of the opening.
Thursday, 1 December 2011
Acting and directing roles for our thriller opening
Acting
Murder scene:
Murder scene:
- I (Jack) will be the villain - the masked man.
- Hayley will be the teenager that gets murdered.
Investigation scene:
- I (Jack) will be the first detective investigating the murder
- Toni will be the second detective
Directing
Murder scene:
- Toni will be the camera-man for this scene because she is not involved in it.
Investigation scene:
- Hayley will be working the camera because she has been killed out of the story.
Costumes for our thriller opening
Our thriller opening required four different characters, and because there were only three members in the group I had to wear two different costumes.

This was the first of our costumes, it was me dressed up in all black with a white mask with two eye holes and a mouth hole cut out. Because it will be filmed at night, the white will stick out and contrast the subtlety of the all-black costume. The film is called pestilence, which specifically means a danger or disruption to society, and generally a community will have two different sides to it - this costume has two opposite colours; reflecting that this character should be a disruption to all of society. In the darkness, this costume will not show anything behind the front of the mask, meaning any identity is completely concealed, a popular convention for villains in the thriller genre.
This is my second costume, on the second period of filming I will be acting as a detective, a vital figure of any community when villainous crimes are committed. I will be wearing black and white in this scene again, however with much more white this time, being completely opposed to the murderer in terms of both dress and allegiance. The smart clothing also acts as an important signifier that this is an important character to the audience.

Toni's costume is also relatively smart - this is because she is the second detective and an important character. Almost everything applies from my costume to her's because we are playing similar roles - however it twists the idea that influential and federal characters should be males and not females, by doing this we are reversing conventional gender stereotyping.
Hayley is playing the role of the victim in our thriller opening, and as such she is wearing casual clothes that show what her character is like - in the sequence she will be conventionally murdered so there is no particular dress code. She is wearing several layers because it will be a cold night, this is logical.
This was the first of our costumes, it was me dressed up in all black with a white mask with two eye holes and a mouth hole cut out. Because it will be filmed at night, the white will stick out and contrast the subtlety of the all-black costume. The film is called pestilence, which specifically means a danger or disruption to society, and generally a community will have two different sides to it - this costume has two opposite colours; reflecting that this character should be a disruption to all of society. In the darkness, this costume will not show anything behind the front of the mask, meaning any identity is completely concealed, a popular convention for villains in the thriller genre.
This is my second costume, on the second period of filming I will be acting as a detective, a vital figure of any community when villainous crimes are committed. I will be wearing black and white in this scene again, however with much more white this time, being completely opposed to the murderer in terms of both dress and allegiance. The smart clothing also acts as an important signifier that this is an important character to the audience.
Toni's costume is also relatively smart - this is because she is the second detective and an important character. Almost everything applies from my costume to her's because we are playing similar roles - however it twists the idea that influential and federal characters should be males and not females, by doing this we are reversing conventional gender stereotyping.
Storyboards for our ideas
Each member of our group came up with one idea for a thriller opening, and in the end we merged two of them together to create the best one. Below are the storyboards for every idea.

This is Hayley's idea, named Persona. A part idea of this was taken, of a man in a mask following a young lady, to form the thriller idea.

Idea two is entitled "Peril of the night", this idea was dropped when we thought of some different ideas which we could merge together to make our thriller.

Our final idea was made by me, and it was called Pestilence. This idea features two detectives discussing a killer - this idea went with Idea 1 to make our final idea.

This was our final idea and was combined from ideas Persona and Pestilence, in the end we went with Pestilence because it sums up what the evil character is.

This is Hayley's idea, named Persona. A part idea of this was taken, of a man in a mask following a young lady, to form the thriller idea.

Idea two is entitled "Peril of the night", this idea was dropped when we thought of some different ideas which we could merge together to make our thriller.

Our final idea was made by me, and it was called Pestilence. This idea features two detectives discussing a killer - this idea went with Idea 1 to make our final idea.

This was our final idea and was combined from ideas Persona and Pestilence, in the end we went with Pestilence because it sums up what the evil character is.
Thriller Location
Friday, 25 November 2011
Questionnaire
Questionnaire
Hello, I am currently working towards the creation of a film opening in Media Studies, as a part of this I am asking a questionnaire to engage in primary research which will enable me to refine my ideas based on which aspects of film people enjoy most. I would greatly appreciate you taking a small amount of time to do this. Please circle your preferred answer unless an alternative method is specified.
1. Which gender are you?
MALE FEMALE
2. To which age range to you belong?
13-15 16-18 19-25 24-40 41-60 61+
3. What is your favourite genre?
Horror Thriller Adventure Comedy Romance Sci-fi
Other (please specify) ____________________________________
4. Do you pay attention to the setting of a thriller film?
YES NO
5. Do you watch a thriller film because of a trailer that you’ve seen?
YES NO MOSTLY YES MOSTLY NO
6. On a scale of 1-10, in terms of entertainment, how do you rate the thriller genre? _____________________________
7. What do you find most important when watching a thriller film?
Plot Music Characters Costume Props
Location Storyline
8. In which of the following locations would you expect to see a thriller?
Haunted Mansion Dark Woodland the middle of nowhere
Dark Empty Street Other, please specify ___________________________________
9. Which age certificate of thrillers do you watch?
12 15 18
10. Which age certificate of thrillers do you find most entertaining?
12 15 18
11. How many thriller films have you ever seen??
0 1-5 6-10 11-15 16-20 20+
12. On average, how often do you watch a new thriller film?
Fortnightly or less Every month Every 3 months
Every 6 months Less often than every 6 months
13. Which is your favourite type of thriller?
Disaster thriller Psychological thriller Crime thriller
Techno-thriller
14. Which of the following do you prefer a thriller film to do?
Challenge the audience actively?
Explain the plot throughout the film?
Thank you very much for taking my questionnaire.
Tuesday, 22 November 2011
Thriller Opening Costumes
This is a mask as featured on The Strangers. A part of our idea entails a member of the group having a crime committed on them by a masked man, and the mask would be similar to this one, a sort of cloth material completely covering the face putting on an unconventional smile and two eye holes. This person would also wear very dark colours to be subtle.
The two detectives who are looking to 'get to the bottom' of the case will wear fairly plain suits like the one in the picture. It connotes intelligence and power of authority, which makes the audience straight away think that the two characters are heroes and not villains, strong and not weak, etcetera.
The two detectives who are looking to 'get to the bottom' of the case will wear fairly plain suits like the one in the picture. It connotes intelligence and power of authority, which makes the audience straight away think that the two characters are heroes and not villains, strong and not weak, etcetera.
Wednesday, 16 November 2011
Donnie Darko
In 2001, Richard Kelly directed the film "Donnie Darko". There are many explanations to the theory of this film as it revolves around a book Donnie is given by his teacher - a book called "The Philosophy of Time Travel". I feel that this makes the film a psychological thriller. Donnie has a friend named Frank in the story, who in my opinion plays the role of a "Ghost of Christmas Future" type of character. I feel this plays with the conventions of a thriller, most of the time the main character has something he/she distinctly fears, this time he appears to be the friend of Donnie.
At the start of the film we see Donnie laying down at the top of a mountain slowly awakening. There is non-digetic sound at this point, although it is not very noticeable. The sound is some piano keys sounding, which is relaxing, matching the scene and going against the conventions of thriller openings being particularly tense. The mise-en-scene is the titles being played around a lightning storm while a pan takes place, showing the area in which the scene is taking place. Although the sound isn't so unsettling, it does fill us with mystery as we wonder why Donnie is laying down in a storm. When awaking, Donnie starts laughing at his presumed sleepwalking, continuing to fill us with wonder. Usually when seeing this, we think of a psycopathic person, with a derranged laugh, and there are many close-ups showing the facial expression, which is used to good effect.
The non-digetic sound appears to match the pace of the opening, once Donnie has awoken and starts riding his bike, the music speeds up. This is a good use of non-digetic sounds as it blends in well with the visual part of the opening, and implicitly we expect everything to be unsettlingly normal before the action starts.
In the film, Donnie appears to be uncaring of anything that happens, he is not particularly bothered that he has been sleepwalking, what we do see appears to be odd, however a large part of him is covered up by the lighting. Typically, this shows the villain, but in the film it turns out to be the "hero", this aspect of the film is very unconventional. Due to the fact that it is strange, the audience reaches confusion as the hero and the villain both seem to intertwine within Donnie, and when Frank is around, Donnie appears oblivious to anything else. The characterisation used is very abstract to what we come to expect when usually seeing a thriller film.
At the start of the film we see Donnie laying down at the top of a mountain slowly awakening. There is non-digetic sound at this point, although it is not very noticeable. The sound is some piano keys sounding, which is relaxing, matching the scene and going against the conventions of thriller openings being particularly tense. The mise-en-scene is the titles being played around a lightning storm while a pan takes place, showing the area in which the scene is taking place. Although the sound isn't so unsettling, it does fill us with mystery as we wonder why Donnie is laying down in a storm. When awaking, Donnie starts laughing at his presumed sleepwalking, continuing to fill us with wonder. Usually when seeing this, we think of a psycopathic person, with a derranged laugh, and there are many close-ups showing the facial expression, which is used to good effect.
The non-digetic sound appears to match the pace of the opening, once Donnie has awoken and starts riding his bike, the music speeds up. This is a good use of non-digetic sounds as it blends in well with the visual part of the opening, and implicitly we expect everything to be unsettlingly normal before the action starts.
In the film, Donnie appears to be uncaring of anything that happens, he is not particularly bothered that he has been sleepwalking, what we do see appears to be odd, however a large part of him is covered up by the lighting. Typically, this shows the villain, but in the film it turns out to be the "hero", this aspect of the film is very unconventional. Due to the fact that it is strange, the audience reaches confusion as the hero and the villain both seem to intertwine within Donnie, and when Frank is around, Donnie appears oblivious to anything else. The characterisation used is very abstract to what we come to expect when usually seeing a thriller film.
Monday, 14 November 2011
Thriller Ideas
Thriller Idea 3 (my idea)
My idea was called Pestilence - the definition of pestilent is for something or someone to be anything between annoying to deadly, for example morally, physically, socially or politically harmful.
Narrative
Two federal people discussing the murderer as two mini-stories take place, as the murder being portrayed as flashbacks. Murder is filmed outside perhaps at night as the conversation takes place in a normal room. The conversation could be a voice over as a murder is taking place too.
The people discussing the villain and his previous crimes uttering lines such as:
There is a victim, a villain and two chiminal investigers.
Credits
My idea was called Pestilence - the definition of pestilent is for something or someone to be anything between annoying to deadly, for example morally, physically, socially or politically harmful.
Narrative
Two federal people discussing the murderer as two mini-stories take place, as the murder being portrayed as flashbacks. Murder is filmed outside perhaps at night as the conversation takes place in a normal room. The conversation could be a voice over as a murder is taking place too.
The people discussing the villain and his previous crimes uttering lines such as:
- "He is dangerous"
- "We need to kill him before he strikes again"
- "He's a danger to society"
- "The most wanted man in England"
There is a victim, a villain and two chiminal investigers.
Credits
- The credits may have the effect of a card with letters cut out with a torch shone through.
- Credits used with a file which would be slapped down on a desk.
Thursday, 3 November 2011
BBFC - what they do and why they do it.
g"The BBFC is an independent, self-financing and not-for-profit media content regulator. We operate transparent, consistent and trusted co-regulatory and self-regulatory classification and labelling systems in the UK."
Taken from the BBFC Official Website, their mission statement means that they are a voluntary company which take public responsibility in providing all of the UK's released films with honest certificates. In doing this, they are able to assist families when making informed decision on their viewing preferences and protect the public (mainly minors) from any potentially damaging viewing.

All of the above are different certificates given to films when the BBFC sees fit.
'U' stands for Universal. It is unpredictable what any human being may be offended by, but films such as these should usually be suitable for any audience. There is usually no discrimination, use or glorification of illegal drugs etc, however there may be occasional use of mildly bad language or differentiated references of sex, for example kissing. There is sometimes violence used, but it is only ever mild, and in a Universal film there should be nothing negative that may influence a young child.
'PG' stands for Parental Guidance. It entails that films are usually suitable for all, however parents are advised to stay with any young children as there is sometimes something which may upset a younger child. There may be subtle references to sexual content, and moderate violence if supported by its theme (ie. fantasy or war). Any scenes of mild horror should not be prolonged and any use of illegal drugs must be carried with an anti-drug message.


Institutions that produce, market and distribute thriller films
The media institution that I have selected to research is Univeral Studios - they have distributed many thriller films in recent years. The company is based in the USA however they serve and operate worldwide, so it would not be an issue.
This institution is a subsiduary of NBCUniversal - Universal Studios create many movies of many different genres - they create a serious amount of films such as action, adventure, thriller, horror and comedy.
Some examples of thriller movies produced are as follows:

Some examples of thriller movies produced are as follows:
- The Unborn
- The Strangers
- Doomsday
- Drag Me To Hell
I believe Universal Studios would be a very good institution for the following reasons:
- Producing: This institute has an incredibly high budget from successful films in the past, so the film would not need to worry about how much money they would have - it would usually be a large amount of money. As well as this, some of the best sets for filming are owned by Universal.
- Marketing: They are able to market incredibly well, again due to the high budget. Not only this, but there is a very large fan base and all films made by this institute are always noted down on lists which are often publicised - many people would be able to hear about my thriller film, meaning it would develop a high amount of interest were it a success.
- Distribution: This is probably the largest incentive in terms of financial power; with a lot of money, they could distribute a film in incredibly high volumes worldwide into every continent, and considering they have a very large stake in the market and are a respected brand, it is likely there would be many sales and reviews for the film.
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NBC Universal Studios Headquarters, boasts itself as one of the tallest buildings in the state to which it belongs. |
Sunday, 30 October 2011
Analysis of the Preliminary Task
Our Preliminary task took about 2 weeks to film, we filmed all of it inside the school and took about 3 takes of each shot. I think we worked well in terms of working with the disruptions of working in the corridor and using a handheld camera for the first time, and we did plan effectively when making decisions about what the plot would be, where we would film and the different shots we were going to use.
There are a few things we could have improved on however. During production, one of the rooms we needed was taken, so we had to use a different room that looked similar from the outside. We did do this, but because we filmed on two separate days we didn't have the "managing director" sign for the final scene. We didn't think about this when filming, which means that there was a lack of continuity editing in that respect.
I think we did use a good range of shots, we didn't use some shot types, but this was because we didn't really have the opportunity to do so, for example extreme close ups or cutaway shots. We did use a range of close ups, establishing shots, mid shots and long shots. We did use a high angle shot when using the CCTV effect, and some of our shots were used to good effect as we were trying to be fairly secretive about the characters until there was a confrontation.
The editing was not a particularly long job, simply because we only had a 100 second clip, and there were a few fairly large clips. Most of the time we didn't have any transitions, we just used straight cuts from one clip to another, but at the end we used a fade to black, and the credits were white text on a black background, and we did use a sound effect of an aeroplane taking off. We used this as it made a buzzing kind of sound, which is often seen in films when viewing a camera.
Thursday, 20 October 2011
Memento
Analysis of Memento
Memento is a Psychological Thriller, typically revolving around mystery with a non-linear storyline. Many conventions are used both typically and uniquely in this film. At the very beginning of the film there is a use of a gun and Polaroids of a picture of a bloodstained room, the denotations used are guns and blood, which connote death and danger, these are conventions of the thriller genre and intertextual with other films.
The non-digetic sound is also used to very good effect; the introduction contains a large amount of disconcerting string sounds which leave the audience both wondering and right on the edge of their seats. Later on there are sounds which carry a drone to them, they rumble which goes well with the monologue being spoken by the main character, this gives a sense that the story may do the same thing, it signifies unhappiness and almost death, which the main character seems to have committed to in a way. The sounds are almost a taste of what will happen in the story, as it reveals negativity, matching the black and white and dark colours used in the mise-en-scene.
At the beginning of the film there is a black background with blue writing over it when introducing some of the key characters. This is very unconventional for a thriller film as typically we see white on black. This different text gives off a sense as if a bold statement is being made.
In the opening of this film, there is a strong use of footage being literally reversed - although this is not a distinct convention of the genre, the emotions it causes the viewer certainly are. When watching, without any further clue, the audience gain a sense of confusion because what is going on seems very enigmatic. It does not seem to be realistic.
At the beginning of the film there is a black background with blue writing over it when introducing some of the key characters. This is very unconventional for a thriller film as typically we see white on black. This different text gives off a sense as if a bold statement is being made.
In the opening of this film, there is a strong use of footage being literally reversed - although this is not a distinct convention of the genre, the emotions it causes the viewer certainly are. When watching, without any further clue, the audience gain a sense of confusion because what is going on seems very enigmatic. It does not seem to be realistic.
Wednesday, 5 October 2011
Analysis of The Happening
‘The Happening’ is a film which was produced in 2008. It was released as a psychological thriller – there are many different aspects of the film which we see in the first five minutes that we can analyse to define which genre the film belongs and which conventions are used effectively in the film.
In the opening scene, we can see it is a typical day. When viewing the mise-en-scene, there is nothing out of the ordinary whatsoever. There is a public path and a green area with children playing and many people walking. It is a summer’s day with the sun out and a slight breeze (however we only take this into account after watching the scene several times). In a typical thriller film everything is opposite to this, they are usually set in the night time with very few characters around, however this is only the opening of the film so we do not really consider this.
Similarly, in the building site, it is a summer’s day with a slight breeze. There are several men working there who suffer the same fate. In these two different settings, despite the atmosphere being the same there is a contrast in characters. In the park, there are mostly women and children, whereas in the building site there are many more men – as they all suffer the same demise it becomes apparent to the viewer that everyone is in trouble, irrespective of age, gender or anything else. The convention of people dying is certainly intercontextual with the thriller genre, but not too often is there mass death in the very early stages of the film. This shows that although using any conventions well in this film, they are also used very uniquely to make the film different to other similar films.
Both digetic and non-digetic sounds are used in the opening to the film, and both are used to very good effect. The digetic sounds used are mainly the characters speaking to one another, as well as the natural sounds recorded such as dogs barking, and most importantly, the sound of people screaming and dying.
The only noticeable non-digetic sound used is during the introduction of the film – this is the eerie music added at the start to the images of moving clouds. This gives us a sense that wind is being portrayed as dangerous and we realise that it will play a big part in how the story is told.
In the very early scene in the film, including two women reading books. When the virus takes over one of the women, she takes a sharp weapon from her hair and stabs herself in the neck with it – the sharp object shows a direct link with many thriller films, all of which usually include death, and sometimes with a sharp weapon, this means that it is intercontextual with other thriller films, as it meets one of the most typical conventions in the genre.
The other signifier that it may be a thriller is some of the camera work that the directors use to good effect. There is everything from extreme-long-shots to extreme-close-ups used, to show the setting, or extreme detail respectively. The emotions shown in the movie are that of worry and fright, these are typical signifiers in films that something bad is happening, which is usually the sort of thing that takes place in a thriller. The same goes for the setting, especially when backed up by eerie non-digetic sounds.
Thursday, 29 September 2011
Period 5 - Week 2 - Glossary of Editing terms
Glossary of editing terms
Continuity editing – This is a form of editing which maintains spatial relationships in a film – it makes the viewer aware of specific objects. It also allows the film to have a rhythm and shows action and reaction.
Transitions – this is how two shots are put together in a film. The most common is a straight cut, where one shot cuts straight to the next. It keeps a pace with the film.
Dissolve – this is a gradual transition from one shot to another – the first shot fades into the second shot.
It can help the continuity, and is often used to show a transition of locations or events in a passing time.
Fade to black/white – This is when one shot fades (gradually or quickly) to black or white. It creates a sense of time passing if done gradually, or if done quickly, is used for flashbacks.
Fade in/out – a shot is faded in from a blank screen or fades out to one. It shows progression of time or a sense of chaos. Is often used for a montage effect often shows peace.
Cross-cutting – action cuts between two sequences to create links, parallels or contrasts between two storylines and their settings. It can create tension. Often used in action films.
Wipe – A line moves across the screen showing a transition from one shot to another. It is a signifier of change, can be in terms of location or time.
Jump cut – an abrupt cut between two shots. It is used to be dramatic, perhaps at the beginning or the end. It often looks poor if done badly!
Analysing editing – When analysing the way something is edited, three questions should be asked.
- When does the shot change?
- What is the effect of the editing?
- How fast/slow is the editing?
Visual effects – this can range from using black and white images to a CGI (computer generated image). A lot of effects are used such as making a new film seem old using a graining effect or CCTV style image.
Digetic sound – this is heard on and recorded from the location of the film, for example speech or ambient sounds.
Non-digetic sound – this is added when the film is edited to add to atmosphere, such as sound effects or music.
Montage – Allowing the audience to make meaning from the sequencing of images. Also used to show passing of time and progression of a character or relationship.
Shot Reverse Shot – edits together two shots from two different camera positions to give an impression of a conversation taking place.
Match on action – When shots are edited together to shot how actions progress through time – shows cause and effect.
Mise-en-scene – means anything in the shot. Could be characters, outfits, props, or location. Consider where it is set and what does it tell us about genre?
Period 5 - Week 1 - Glossary of Media Terms
Glossary of Media Terms
Framing – this is what you choose to include in the shot and what you leave out. What you leave out can be more important, as in thriller films there is a lot left out to increase the tension.
Extreme Long Shot (ELS) – the subject is not clearly visible but it shows the surroundings of the subject. It shows the audience where the action is going to be taking place and can be good if said action is going to be widespread.
Long Shot (LS) – In this shot the subject of the picture takes up almost all of the shot – the person’s feet are almost at the bottom and the head is almost at the top. It is most often used to show the character in their environment, for example in this picture you can see he is sitting on a bench in front of a wall, possibly in a public place.
A medium close up is half way between a mid shot and a close up, and it shows the face more clearly without getting uncomfortably close to the subject.
Close up (CU) - makes the face or a part of the subject take up most of the frame, and is useful for taking up most of the frame. It emphasises their emotional state and shares the feelings with the viewer.
Extreme Close Up (ECU) - used to get right in and show much more detail. There would have to be a specific reason to come in this close, for example reaction to dramatic scenes, or to show important detail on a subject.
Two shot - A two shot is mostly used to show a relationship between two people, like in this picture. If you see two news presenters together then they are going to be co-hosts. If they are next to each other it normally implies that they will equally contribute to the scene.
It is a good way to follow interaction between people without getting distracted by their surroundings.
An Over the Shoulder shot is framed behind one person who is looking at the subject. The person who you see from behind normally takes up about 1/3 of the shot so you’re still able to see them clearly. It establishes the expression and feelings of the other person being looked at and quite often is cut from view to view during a conversation.
A Noddy Shot is common in interviews; it shows a person listening to the subject. It is also common in an interview to take videos of the listener nodding to keep the fluidity of the interview fairly clean.
Point of view shot – this is used to show what the subject can see and there is often a clear indication of this, for example in this picture, the biker’s hand.
Low angle shot – it is taken from below the subject looking up at it. It gives a scale of power, size or authority. It makes the viewer feel inferior.
High angle shot – it is taken from above the subject and gives them a sense of inferiority, it puts the viewer in a position of power and superiority.
A pan shot is used to show the subject moving along; it gives the viewer a sense of particular action and speed. It always tends to go from left to right and is mostly done on a tripod to give a smooth movement.
A tracking shot is a camera that moves on a dolly and follows the subject. Like a pan, it also gives a sense of moving with the action or the speed.
Tilt – a tilt is when the camera pans up and down on a particular shot, it gives a sense of size and height.
Dutch angle shot – it is not straight towards the subject, and it often gives a sense of chaos, insanity or things being out of the ordinary.
Arial shot – The camera is positioned in a plane or helicopter to get an extra long shot/high angle shot. It gives a sense of location, scale and size.
Crane shot – The camera takes a high angle shot looking down on the subject. The crane can track, pan and tilt.
Monday, 26 September 2011
Friday, 9 September 2011
Media lesson - 09/09/2011
The lesson today was more of a taster introduction to the course that we are going to be doing, a basic start to the AS Level of Media.
First we were given the sheet to show us how the lessons would be planned out and some of the expectations in terms of time frames for the things we would have to do in the lessons to follow. I now know alot of the tasks ahead of me and can plan my time both inside and out of the lesson accordingly.
After this we learned some of the theory behind media and some detail behind film. We covered nearly all of the camera angles that we are (hopefully) going to use in all of the practical films we create. Most of them I had heard of before but was interested in the one I hadn't used or heard of in the past.
In the lesson before we had learned alot about different genres of films and had taken notes about them. A list of genres is as follows:
I had not heard of some of these. In today's lesson we summarised everything we had learned in the lesson before and the lesson today.
First we were given the sheet to show us how the lessons would be planned out and some of the expectations in terms of time frames for the things we would have to do in the lessons to follow. I now know alot of the tasks ahead of me and can plan my time both inside and out of the lesson accordingly.
After this we learned some of the theory behind media and some detail behind film. We covered nearly all of the camera angles that we are (hopefully) going to use in all of the practical films we create. Most of them I had heard of before but was interested in the one I hadn't used or heard of in the past.
In the lesson before we had learned alot about different genres of films and had taken notes about them. A list of genres is as follows:
Romance
Comedy
Zombie
RomCom
RomComZom
Horror
Thriller
Fantasy
Sci-fi
Western
Fiction
Slasher (such as scream)
Anime
Musical
Documentary
Gangster
I had not heard of some of these. In today's lesson we summarised everything we had learned in the lesson before and the lesson today.
Wednesday, 7 September 2011
A short analysis of perfection, or the closest thing yet!
The Dark Knight - probably rated as one of the greatest thrillers of all time. A film that is so much more than a movie based on a comic book. Drama, action, horror and dark humour all included to create a stunning 150 minute wonder to the eyes; or something to hide from depending on your tastes!
Brilliantly written, perfectly timed and exquisitely performed, this flick has something to cater to the likes of every fan you can imagine.

In the above image you can see all of the conventions that make the perfect thriller. What comes to mind when you think of such a film? Dark or contrasting colours that bring the word 'scary' to the mind are oozing from this film in both appearance and name.
Of course there are some things you won't get from just looking at a picture, you'll see everything typical done in a new and pioneering way! From start to finish you'll see everything.
When you first watch the film you'll be watching a traditional film - titles done in white over a black screen with some incredibly non-diegetic music that forces you onto the edge of your seat: a position you'll probably be sitting in for the duration of the film. Similarly in movies such as Se7en you'll see alot of close ups combined with high and low angle shots. Straight away you'll know who the good guys and the bad guys are, in case you didn't already know!
Editing and sound are probably the next biggest conventions that make this film a thriller. Disconcerting music that certainly sets you on edge and creates the atmosphere thriller fans are accustomed to. The editing is enthralling because of the jump cuts leaving some events to the imagination - multiple things going on at once that we're unaware of. This, however, doesn't mean you won't be treated to the uniqueness we look for in modern cinematics. These techniques are often used to define relationships between characters and motives for action, which is a massive part of how the film plays.
Traditional yet different, simple yet complex, conventional yet unique - everything imaginable inside a little over two hours.
Brilliantly written, perfectly timed and exquisitely performed, this flick has something to cater to the likes of every fan you can imagine.

In the above image you can see all of the conventions that make the perfect thriller. What comes to mind when you think of such a film? Dark or contrasting colours that bring the word 'scary' to the mind are oozing from this film in both appearance and name.
Of course there are some things you won't get from just looking at a picture, you'll see everything typical done in a new and pioneering way! From start to finish you'll see everything.
When you first watch the film you'll be watching a traditional film - titles done in white over a black screen with some incredibly non-diegetic music that forces you onto the edge of your seat: a position you'll probably be sitting in for the duration of the film. Similarly in movies such as Se7en you'll see alot of close ups combined with high and low angle shots. Straight away you'll know who the good guys and the bad guys are, in case you didn't already know!
Editing and sound are probably the next biggest conventions that make this film a thriller. Disconcerting music that certainly sets you on edge and creates the atmosphere thriller fans are accustomed to. The editing is enthralling because of the jump cuts leaving some events to the imagination - multiple things going on at once that we're unaware of. This, however, doesn't mean you won't be treated to the uniqueness we look for in modern cinematics. These techniques are often used to define relationships between characters and motives for action, which is a massive part of how the film plays.
Traditional yet different, simple yet complex, conventional yet unique - everything imaginable inside a little over two hours.
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